7 Tips on Mixing the Colors You Should Know

7 Tips on Mixing the Colors You Should Know

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These color mixing tips are the most important you’ll ever get… Why? Because the most important thing to paint as it should be is to know and to know how to manage colors at will.

Color and pigment offer so many possibilities in painting and so many different variants that an artist can devote his entire life to exploring color, color theory, and color mixing.

Color mixing is something that often agonizes beginners and makes them move away from the technique because they find it too complicated.

Here you will find 7 color mixing tips that will help you overcome some complications.

But there is no doubt that you will only learn seriously if you face the challenge of mixing. Only by mixing for yourself can you learn how this mechanic of color mixing works.

The worst that can happen is that they produce neutral colors without liveliness. But you can always use them to mix with white and work a tonal scale or apply as a primer on the screen surface.

Here are the 7 color mixing tips you should know to better understand color and improve your paintings.


TIP # 1

You can get all the colors you need from the three primary colors.

The three primary colors are red, yellow and blue.

These colors cannot be made by combining others, but these three colors, when combined in different shapes and in varying proportions, can create a wide variety of shades.

Try to limit your color palette to any red, yellow and blue plus white for a few weeks.
You will learn a lot about how colors interact with each other.

You can start with the hot versions of each primary and then the cold versions of each primary and analyze the differences.

I can help you with an alternative:

  • You can use alizarin crimson (cold red), ultramarine blue (cold blue) and light cadmium yellow or Hansa yellow (cold yellow).
  • Or you can use cadmium red (warm red), blue (warm blue), cadmium yellow (warm yellow)
  • But beware, these are not the only primary alternatives you can choose from.

7 Tips on Mixing the Colors You Should Know

TIP # 2

In color, it’s all about relationships.

There is no right color for a painting. There is only one correct color compared to the other colors around you.

All colors affect the colors adjacent to it e. In turn, these are affected by the adjacent color, as observed and explained by the simultaneous contrast law.

This is why it is possible to create a representation of a painting with a limited palette that has a beautiful color harmony, even though the color of the painting may not be the one you specifically see in the real world.

TIP # 3

Add dark to light

It only takes a little dark color to change the light color. But it takes much more of a light color to change a dark color.

So, for example, always add blue to white to darken instead of trying to lighten blue by adding white.

TIP # 4

Add opaque to transparent

As you may know, there are opaque colors and transparent colors.

So try to add some of the opaque colors to the transparent, not the other way around. The opaque color has a far greater force or influence than a transparent color.

TIP # 5

Try to use a single pigment or few pigments

For the brightest and most intense results, always check that the two colors they are mixing are made from a single pigment. So you will be mixing only two pigments.

“Artist or professional” quality inks typically list the pigment (s) in one color on the tube label.

TIP # 6

Blending the perfect grays and browns.

To get the “ideal or perfect” browns and grays that harmonize with your painting, you should mix from the complementary ones (red/green, yellow/purple, blue/orange) you have in your palette.

Never get these colors from paints you are not using in your paint palette.

Varying the proportions of each color will create a wide range of shades.
7 Tips on Mixing the Colors You Should Know

TIP # 7

Do not overdo the mix or do not over mix

Instead of completely mixing two colors from your palette, stop just before the colors are fully combined.
This will give you a much more interesting result when you put this mixture on the canvas (surface to paint)

The result is a color that is intriguing, which varies slightly over the area where it was applied, not flat and consistent.

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